Concrete, plaster and stone

Plain & Textured Murals

Concrete, plaster, stone and washed-back colour — mural-scale surfaces for a room that wants depth without a picture.

Style Botanical & Floral 48 Geometric 14 Damask & Baroque 0 Plain & Textured 12 Scenic & Mural 36 Kids & Novelty 255

12 designs · page 1 of 1

The swirling figure of burl wood, rendered in indigo and midnight blue. Dense and tactile, it turns a whole wall into one continuous surface. — Grigory Gladarev Ettore Burl The swirling figure of burl wood, rendered in indigo and midnight blue. Dense and tactile, it turns a whole wall into one continuous surface. View collection Grigory Gladarev — Quiet Worlds →

Wood grain in cinnamon, amber and dark chocolate, flowing in long vertical runs. Warm and enveloping, close to the feel of a timber-panelled room. — Grigory Gladarev Ettore Grain Wood grain in cinnamon, amber and dark chocolate, flowing in long vertical runs. Warm and enveloping, close to the feel of a timber-panelled room. View collection Grigory Gladarev — Quiet Worlds →

The same flowing grain in pale grey and white, stripped of colour so only the drawing remains. The lightest of the six, and the easiest in a small room. — Grigory Gladarev Ettore Line The same flowing grain in pale grey and white, stripped of colour so only the drawing remains. The lightest of the six, and the easiest in a small room. View collection Grigory Gladarev — Quiet Worlds →

Dark charcoal grain with silver highlights, closer to stone than timber. Dramatic on a single feature wall, heavy if used on all four. — Grigory Gladarev Ettore Root Dark charcoal grain with silver highlights, closer to stone than timber. Dramatic on a single feature wall, heavy if used on all four. View collection Grigory Gladarev — Quiet Worlds →

Fine blue veining runs through a deep indigo ground, tighter and more linear than Burl. A considered choice behind a bed or a desk. — Grigory Gladarev Ettore Veins Fine blue veining runs through a deep indigo ground, tighter and more linear than Burl. A considered choice behind a bed or a desk. View collection Grigory Gladarev — Quiet Worlds →

Rich walnut figure in caramel, cocoa and near-black, the warmest of the grains. It brings the weight of real timber to a wall without the joinery. — Grigory Gladarev Ettore Walnut Rich walnut figure in caramel, cocoa and near-black, the warmest of the grains. It brings the weight of real timber to a wall without the joinery. View collection Grigory Gladarev — Quiet Worlds →

Bands of ash grey and pale sand blur into one another with no hard edge anywhere. Almost a plain wall, but with a depth a flat colour cannot reach. — Grigory Gladarev Rotko Ash Bands of ash grey and pale sand blur into one another with no hard edge anywhere. Almost a plain wall, but with a depth a flat colour cannot reach. View collection Grigory Gladarev — Quiet Worlds →

Sea green softens into cream and a faint blush pink along a blurred horizon. Fresh and light, it suits a bedroom or a bathroom wall. — Grigory Gladarev Rotko Blush Sea green softens into cream and a faint blush pink along a blurred horizon. Fresh and light, it suits a bedroom or a bathroom wall. View collection Grigory Gladarev — Quiet Worlds →

Bright turquoise sits above a band of burnt orange and deep teal, the boldest colour in the family. One wall of this is enough. — Grigory Gladarev Rotko Clay Bright turquoise sits above a band of burnt orange and deep teal, the boldest colour in the family. One wall of this is enough. View collection Grigory Gladarev — Quiet Worlds →

Warm sand above a dark earth band, like a horizon just before the light arrives. Grounding and quiet, good behind a bed. — Grigory Gladarev Rotko Dawn Warm sand above a dark earth band, like a horizon just before the light arrives. Grounding and quiet, good behind a bed. View collection Grigory Gladarev — Quiet Worlds →

Pale grey and warm sand meet along a dark, softly drawn line. The most neutral of the six, and the easiest to place anywhere. — Grigory Gladarev Rotko Sand Pale grey and warm sand meet along a dark, softly drawn line. The most neutral of the six, and the easiest to place anywhere. View collection Grigory Gladarev — Quiet Worlds →

Deep blues stack from sky to sea with a thin line of turquoise between them. Cool and still, it holds a room together without shouting. — Grigory Gladarev Rotko Veil Deep blues stack from sky to sea with a thin line of turquoise between them. Cool and still, it holds a room together without shouting. View collection Grigory Gladarev — Quiet Worlds →

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